Our goal – deliver the absolute best in quality, performance and safety in professional unmanned aerial filmmaking. From large format cinema packages on the latest Hollywood blockbuster, to chasing supercars for automotive campaigns or flying at high altitudes in the most extreme and remote corners of the world, we have a solution for it all. We are proud SOC and Local 600 members and offer both union and non-union drone crews.  We work closely with production to coordinate and submit all permitting and paperwork ensuring a smooth and efficient pre-pro workflow. With our extensive expertise in drones and aerial cinematography we’re confident we can help productions of any budget realize their aerial film making goals.

Drone

Helicopter

SHOTOVER F1

The remote head of choice for aerial work.

A 6-axis gyro stabilized platform that delivers unshakable stability with unmatched look down capability for use inverted, or right side up—on almost anything that moves. It rigs fast and accommodates hundreds of camera and lens combinations, for the look you want. Its compact carbon fiber construction means it ships as excess baggage on commercial flights worldwide with no export restrictions.

STABILIZATION

  • 6-axis with no gimbal lock

  • High performance non-ITAR sensors

  • Distributed Multi-processor closed loop servo control system

  • Proprietary gimbal control algorithms

GIMBAL FIELD OF VIEW

  • Pan: 360 degrees continuous (via electrical and optical rotary joints)

  • Tilt: +45 to -140 degrees

  • Roll: +/-85 degrees (steerable or auto horizon)

  • Max slew rate: 100 deg/sec

WEIGHT

  • Turret with max payload less than 59kg (130lbs)

  • Operator control unit 2.7kg (6lbs)

  • Junction control box 4kg (9lbs)

  • External cable set: 2.5kg (5.5lbs)

  • Fujinon 25-300 and Arri/Fujinon Alura 45-250 lens cases 61kg (134lbs)